Find Your Voice With Pixar’s Coco.


By Lupita Franco Peimbert

(Film) – Coco, the story of a kid desperate to become a musician despite his family’s strong opposition is one inspiring story about following your dreams no matter how far away they seem from your reality. But Coco offers a lot more than that. It is one of the most exquisites exposures of the Mexican culture to mainstream moviegoers and just another usually extraordinary animation film by Pixar’s creatives.

I heard of its Spanish-language release in Mexico City when I was in Mexico end of October but finally saw the film in California on November 24, Thanksgiving Day, as an English-speaking movie.

As I was sitting at the movie theater with my glasses on –for the 3D version, waiting for it to begin, I felt extremely curious to find out how well Disney/Pixar captured Mexican culture but also how good of a story Coco is. It met my expectations. Disney/Pixar know how to tell a good story through high-quality animation and they do it in a way attractive not only to kids but also to adults.


Although the story is universal in that it shows that to make a dream come true one has to pursue it and how family values such as loyalty can influence our lives to a fault,  it is very specific about Mexican traditions, framed on The Day of the Dead (Dia de Los Muertos) widely celebrated in Mexico each year on November 2nd, and increasingly celebrated in US cities and towns with high Mexican and Latino population such as in San Francisco’s Mission District or in East LA in southern California.

The intricacies of this film’s animation blow one mind’s out, showing thousands of lighting effects, complex drawings, beautiful designs, and a choreography of functional moves that made it vivid while dynamic. But this is not unusual from Pixar. They are the best of the best and this time, they have also proved something equally important: a story becomes a more relevant story and so more solid and grounded as its creators have done their due diligence to plasm cultural nuances.

The people from Pixar took the time and effort to learn and understand the symbolism embedded in the Day of the Dead, a family’s colloquialisms, and a nation’s idiosyncrasies so well that they were able to play with these elements and tell a story interesting for both, those who grew up with this tradition and those who have not even heard of it. “Over the course of three years, we visited museums, markets, plazas, workshops, churches, haciendas and cemeteries throughout Mexico,” says Coco’s Director Lee Unkrich.

Here is how Pixar summarizes Coco: “Despite his family’s generations-old ban on music, young Miguel dreams of becoming an accomplished musician like his idol Ernesto de la Cruz. Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead. After meeting a charming trickster named Hector, the two new friends embark on an extraordinary journey to unlock the real story behind Miguel’s family history.”


I won’t give out more details to not spoil the film for you, but I must say if you see colorful figurines in the film those are Alebrijes –created by artisan families and passed down from generation to generation. And the cemetery with Marygolds… that is how it looks every year in early November in most cemeteries in Mexico.

Directed by Lee Unkrich and co-directed by Adrian Molina; original story Lee Unkrich, Jason Katz, Matthew Aldrich and Adrian Molina; produced by Darla Anderson; original score composed by Michael Giacchino. 

The film features the voices of Benjamin Bratt as Ernesto de la Cruz and Gael Garcia Bernal as Hector. The voice of young Miguel is played by 12-year-old Anthony Gonzalez who also sings.

You’ve got to see Coco!

It has been exhibited in Mexico, United States, Canada, Croatia, Sri Lanka, Philippines, Armenia, Chile, Georgia, Hungary,  and it will be in France on November 29 and in many other countries the rest of November and through December for a total of at least 46 countries with voice-over in several languages.

Well Done Pixar!

About the writer:
Lupita Franco Peimbert is a former television news reporter currently working as public information officer in transportation/highway systems. She is the publisher of – writing about culture, travel, cinema, and life. 

What do you think about this?

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.